He slows the track and replaces the jittery percussion with pitter-patter drums, a slowly tapped out piano chord, and an unhurried shaker. Here, Heard tips his hand: his is dubbed as a “chillout mix,” and that it is. On Settle, the narcotic London Grammar collaboration closes the album with what sounds like a cleanse but is actually shivering at its core-it's an unsettling finish. The top remix comes from Chicago house luminary Larry Heard, who handles one of three new versions of “Help Me Lose My Mind” under his Mr. This time it’s the old guys-the ones, maybe, with the least to prove-who best navigate the balance by undertaking alterations instead of redesigns. There are contemporaries ( Hudson Mohawke, Baauer, Totally Enormous Extinct Dinosaurs) up-and-comers ( Flume, Kaytranada) legends ( DJ Premier, Larry Heard) and the London underground (T. The lineup here is as starry and varied you’d expect for two kids billed on this year’s Coachella poster above Lana Del Rey, an artist who has actual platinum plaques to her name. That, too, is to say nothing of the two new Disclosure songs that bookend the 15-track set. The truth that hovers over the album is perhaps uncomfortable because of how easy it can be to notice: of all the reworkings collected by Guy and Howard Lawrence, the best of the bunch are the ones that depart from the originals the least. How do you chip away at and then rebuild tracks so.just so? Well, Settle: The Remixes argues that if you’re smart maybe you don’t. Though unfussy, this formula makes for songs that might very well be difficult-if not intimidating-to remix.
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